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Metal Reviews
Beer Soaked & Brutal
Late Summer 2000
 
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Strong Deformity - Racket
NSM Records, Austria
Contact:  Email NSM

Strong it is, a deformed mix of galloping metal, garage melodies and hardcore snipets not unlike the heavier Mentors stuff. The band throws in wandering phased out guitar solos, sabbathian grooves, the odd keyboards (reminded me of The Stranglers) and songs well arranged. Strong Deformity are definitely groovemasters, good to see Austrian label NSM continuing the fight in style.

Sometimes the songs just don't work, like they're stuck in low gear, and some of the riffs are way too telegraphed. On songs like "Twins" you think it's going to be like a Mac truck, then it starts sputtering like a Yugo. Other times, the mix is perfect, like a good piss after a combo of beer & ephedrine. It is the bomb blast of the delivery that puts Strong Deformity in the Top 10; Super Dope is the one to shake the floor and rip through the walls, just superb execution. A definite smash. Fire That Dog Up!

 
Resound - Crucifix Demo
Painless Music
Contact:Email Resound

At last a good metal band with someone singing that I can tell what the hell they're saying. Tight metal reminiscent of "Ride The Lightning" era, especially the shifting spiral of "Painless Agony", with it's slow grind interlaced with rising power and what I really enjoy most about the band, lead guitars. Too much metal I hear that's new has none, Resound does them throughout this three cut sampling of their new album "Crucifix". Second cut Armageddon delivers the goods and speaks about the glorious fury that is Resound
 
Monolith - Use Only As Directed
Icon Records / BMI
Contact: Label Website

The front cover of this disc says it all, a negative of a hand loading a gun, so you know some killing is coming down the pike. Cut #1, Leeching, recently debuted in the Underground Top 100 fairly high (like #7). The buzz-saw grind and the strong shouts are key to the core of Monolith. This young band fronted by the Bayliss Brothers Eric on Throat and Bass, bro Brian on percussion and the genuis of Tim Artz on all guitars is a force to be recognized. Calling all pit crews for stuff like The Unknown (part 2) the feeding is straight metal, no filler or pretty boy bullshit. Monolith fuckin' rips.

Throughout Use Only As Directed, the pace is kept high, void of death-metal cliches or funk metal illusion.....the hardcore screaming behind the rage of Weak Minded is a wake-up call to all the living dead, get your shit together. Monolith throw in an epic - One Friend's Betrayal - showcasing their music crafting to the hilt. Every once in a while, Monolith go into a trance, like on the closing This Land Lost, where the sparse versing and overdone riffs leave the listener wandering....while there is room for improvement, for a debut release by a young metal band, it's got its moments.

 
Lambotomy - Everything Feeds
All Music & Lyrics By Lambotomy
Contact: Justin @ 601-291-1559 or Brian @ 601-924-6538

Heavy as a heavy thing. With monster riffs, doom triads and hardcore vocals, Lambotomy rip and tear like death on steroids. They're not death metal though, just metal with all the trimmings.

Till 4 A.M is a beast, going from bombast to jazz in a bottomless yell. Ending on a thud. Some of the hip-hop fashion comes in on the front of Be, changing gears into some wicked grind. I especially like the line "Hell has a monopoly on life!"...these guys might be young, but somewhere along the line they've been twisted. Cut 4 Pin And Needles is homage to the spooky bass that creeps in your mind at those times of complete anger, like someone is going to get fucked up, real bad! Sometimes the grind is overwhelming, like on Circle Seven, but that's the be expected, that's when it's time for another brewski.

Buzzsaw and shock beats abound in Scarred, I'd say it's like Korn but it's a tradeoff_sometimes Lambotomy are that heavy, and sometimes their hardcore is heavier_ Scarred does offer some cool lead in a slower mode, if you're in the mosh pit that is. Really though, the pig squealing crap could've been left out, but boys will be boys! Somehow, I don't think the guys have too good an attitude about gals (I fucked her raw!), or maybe it's all that beer driven testosterone ripping thorugh their veins. Power chords arrive from Broken Arrow, the opening line "My Life Is Hell" says it all... Still, last cut, Check-Out Time might be too heavy for the kids, especially the dope doing gun and knife toting bunch. Check out Lambotomy at an upcoming Rockfest.

 
Too Many Gods - Blind Soul Lottery
Medea Records
Contact: PO Box 99055, Troy, MI 48099-9055
 
Media Records out of Michigan puts out some of the heaviest shit around, from the gothic darkness of The Lords Of Algol to this, the resounding hardcore fury of Too Many Gods. Blind Soul Lottery is their full length following last year's Lullaby EP. There is nothing like a lullaby (on any Too Many Gods) unless it's a screaming metal serenade from hell, and the full length contains plenty of anguish, anger and speed. TMG might fuck around with a few electronic sounds, but bottom line you've got monster riffs, blood rendering screams and an intense articulate dose of the hard stuff, without any of that cute shit some of the MTV darlings trying to compete in this arena are floating. TMG has them outclassed throughout.

Got a problem kiddies? Listen to Reflect, you'll see your pitiful problems aren't the piss end of a rat's ass. If you find yourself inside Reflect, maybe, just maybe, you need professional help. Otherwise shut the hell up! It is the industrial edge of Mindless, with it's "you don't listen to me 'cuz I can't help you deceit" as psychotic bastard chorus that'll have all the youth of america standing up with the single digit salute. After you've slashed and burned your way accross the disc, brutal calamity and all (see head checking in "We Are Broken"), you're treated to the evil modular flaying of Scare Tactics complete with hardcore throat damage in the early seconds. Sometimes as with the noisy punk funk into grindcore of 4 Steps, Too Many Gods come close to complete identity breakdown, flying off in different directions shaded by the changing dimensions of their delivery....kinda like those bits of intestine in the chinese hot and sweet soup, it's done that way for a definite reason, but it's not for you to know.

The electronic opening for the letter y kinda tells you this might be the lame tune on the record. Over all it's just sludge, like that cooked down tar you been hittin'. I hope you know aluminum foil causes severe poisoning, and you thought you had some kick ass shit! Overall, I gotta say the atmospheric trip of the OD in ETU sets off this whole disc, and the final cut, When The Smoke Clears, just fuckin rules, lyrics, tone and grind. You don't skate, bike or surf without this CD: RECOMMENDED

 
Cod Peace - Peace To Your Cods
POB 481 Kippax ACT 2615 Australia
Contact: Email
xxx
Lighting hardcore drums with double bass, changing modds midstream from thrash to doom, gutter demon vocals, crisy riffs and standard arrangements. Could be outstanding except the drums are too perfect time wise....this is because of the use of ProTools to record this. It's good, but the band sounds like they used it a bit, the acoustic feel of the songs has been diminished. Sometimes I like what Tits, Turd, R2, Foetus and Jester (the guys in the band) are attempting. They damn sure can play. A little more leeway and originality they might be dangerous.
 
Skull Crusher - Tormented
NSM Records
Contact: Wolfblood Promotion
Welcome Back Mr. Cowan
Very dark death metal with strong musicianship. Vocals are hard at times to decipher (what's new about death metal?). The strength of the darkness is sometimes overpowering, but the band can be slightly disjoined. The album has a very strong, solid sound, with some of the arrangements showing a deepness, probably owing to the fact the core of the group have been on the European circuit as Skull Crusher since 1990.

This disc overall is definitely for death metal fans, downtuning, gutteral funeral parts. It's all there. What Skull Crusher really needs is really an identity, because I can't get much original out of the cuts. Since they're touring with everyone from Malevolent Creation to Krabathor, they'll be enough dark ones out there who'll get off, and die for, this stuff.

 
 
 
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More Contacts:

Soulreaper Records
POB 90
8500 Kortrijk
Belgium

Osmose Productions
135 Artisanal
62990 Beaurainville, France

Plastic Head Music
Unit 15, Bushell Business Estate
Hithercroft, Wallingford
Oxon 0x10 9DD

American Line Productions
POB 20-465
Mexico 01001, D.F.
Mexico

Hypnotic International
86 Main Street
Suite 401
Town Centre Plaza
Dundras, Ontario
Canada L9H 2R1

Diehard Music Worldwide
Vindegade 101
DK-5000 Odense C
Denmark

Avantgarde Music
Via de Amicis 4
20123 Milano
Italy

Kettenhund Records
POB 610443
D-28264 Bremen
Germany

Psychic Scream
POB 13604
50816 Kuala Lumpur
Malaysia

Nocturnal Art Productions
POB 4, 3671 Notodden
Norway

Napalm Records
Vordernberger Str. 20
A-8790 Eisenerz
Austria

ARS Metalli
Rosengrasse 3
15230 Frankfurt / Oder
Germany

Displeased Records
Ronde Tocht 7d
NL-1507 CC Zaandam
Holland

Undercover Records
Stockhauser Str.3a
35638 Leun
Germany

Season Of Mist
24, Rue Brandis
F 13005 Marseille
France

Repulse Records
POB 50562
28080 Madrid
Spain

Hammerheart Records
POB 277
6300 AG Valkenburg
Holland

Perverted Taste Records
Hradschin 14a
08523 Plauen
Germany

Holy Records
BP 59
77263 La Ferte Sous Jouarre
CDX
France

No Colours Records
Postfach 32
04541 Borna
Germany

Modern Invasion Music
Unit 2, 14 Spink St.
Gardenvale, Melbourne
Australia 3186

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